News From Our Blog

Preserving Family Papers and Photos

This Thursday the National Archives holds its Preservation EXPO in Washington DC so you can learn more about how to preserve a whole range of media that document family history as well as our national history.

We would love to have you come. But maybe you can’t be in Washington DC March 14th to visit the National Archives Building for the Preservation EXPO. If not, here are tips to help your papers and photos last as long as possible.

How do I preserve my family papers and photos?

Proper storage and safe handling practices are key to preserving paper and photographs. Your personal documents last longer when stored in a stable environment similar to what you find comfortable yourself: 60-70 degrees F; 40-50% relative humidity (RH); with clean air and good circulation.

High heat and moisture accelerate the chemical processes that make paper brittle and discolored, and that deteriorate photos. Damp environments may cause mold growth or encourage pests that use the documents for food or nesting material.

So the central part of your home provides a safer storage environment than a hot attic, a damp basement, or a garage.

Light also damages paper and photographs, especially light with abundant ultraviolet such as fluorescent fixtures and daylight. Light exposure has cumulative and irreversible effects; they promote chemical degradation and fade inks and dyes. Permanent display of valuable documents is not recommended. Photocopies, digital images or photos of documents can be substituted for display.

Store personal papers in appropriate sized enclosures, a folder, box, portfolio, etc., that provide physical protection as well as protection from light and dust.

Use an enclosure made of stable permanent quality materials that will not contribute to the document’s deterioration. See Mary Lynn Ritzenthaler’s “Preservation of Archival Records: Holdings Maintenance at the National Archives” for information on storage and handling.

How can I safely mount my documents, memorabilia, and photos into albums or scrapbooks?

The method you use to assemble scrapbooks, photograph albums or memory books can enhance the preservation of the items or can cause irreversible damage.

Avoid mounting with the following materials: white glue, rubber cement, pressure-sensitive tapes and films, staples, or hot glue gun adhesives. These materials do not age well and can physically damage and discolor paper and photographs.

Avoid albums with self-stick pages (“magnetic pages”) because the adhesive used on the mounting page is poor quality.

There are several safe alternatives for mounting. Valuable items such as birth certificates, family letters, and photographs should be mounted without use of glue or other adhesives. Use clear envelopes and sleeves made of stable plastics such as polyester and polypropylene to hold the materials and as album pages. Another good mounting method uses corners made from stable plastics (such as polypropylene and polyester) or from stable paper.

Plastic and paper corners used to mount photos should be made of a material that has passed the Photographic Activity Test (PAT). The PAT test determines if a storage material will cause fading or staining of photographs.

The PAT test, developed by the American National Standards Institute, appears in a national standard named ANSI IT9.16, Photographic Activity Test. Many manufacturers test their products with the PAT and advertise storage materials that have passed the PAT.

Paper corners to be used with paper memorabilia need to meet the standard for permanent paper ANSI/NISO Z39.48, Permanence of Paper for Publication of Documents in Libraries and Archives. This standard specifies the characteristics of paper that is long lasting and that will not harm documents with which it is in contact.

How should I frame and display my photographs and documents?

Decorative frames, available at many stores, are appropriate for everyday snapshots. Often these frames lack a mat or spacers to keep the document or photograph from contact with the glass, or have a poor quality acidic paper mat.

Unfortunately, many unmatted photos have been damaged or permanently stuck to glass when fluid seeped between the glass and photo. This fluid may come from liquid cleaner sprayed on frame glass or beverages spilled near the frame.

Never use liquid cleaners around photographs and artwork. Many cleaners are corrosive and can cause immediate fading and staining if they, or their vapors, come in contact with a photo or a document.

Mat important personal photographs or photographic artworks with museum quality mat board for the window mat and the backboard. Mat board for photos should have passed the ANSI IT9.16 Photographic Activity Test (PAT).

Photo corners work well to secure a photo to a backboard when the window mat will cover the photo edges and hide the photo corner. But do not use photo corners on unmounted prints larger than 20 x 24 inches, or very fragile photos.

Large or fragile photos should be attached to the backboard with stable paper hinges adhered to the back top edge of the photo and then secured to the backboard. Hinging should be left to a qualified framer or conservator.

Once a treasured photograph or document is properly matted and framed, do not display it in direct sunlight, or under bright lamps, near heat sources or in damp locations such as basements, kitchens or bathrooms. Typical diffuse home lighting is not harmful over the short term, but display in rooms that receive direct sunlight can cause rapid fading.

Light will cause fading and other irreversible damage that may become objectionable over time. So avoid extensive display of treasured documents and photographs that you want to pass on to future generations. Instead, make and display a duplicate copy while the original is stored safely in a storage container with other valued papers and keepsakes.

You can find more information on preservation on the National Archives website at www.archives.gov/preservation.

Nominate Movies for the National Film Registry

The Library of Congress is seeking nominations for the 2012 National Film Registry. 

Under the National Film Preservation Act, the Librarian of Congress names 25 films to the National Film Registry every year. In order for a film to be eligible, it must be at least 10 years old and be culturally, historically, or aesthetically significant. Find out which films made the 2011 list.

Public nominations and input play a key role when the Librarian of Congress and National Film Board consider the final selections for the year. 

Find out how to submit your nominations for the 2012 Film Registry

Image description: National Museum of American History curator Carlene Stephens examines a glass disc recording that was made in Alexander Graham Bell’s Volta Lab. The disc contains the audio of a male voice repeating “Mary had a little lamb” twice.
In December, scholars recovered sound from this and other recordings made over 100 years ago. Until now, the technology to listen to the recordings without damaging the objects was not available. Learn more about how they recovered the audio.
Photo by Rich Strauss, Smithsonian Institution

Image description: National Museum of American History curator Carlene Stephens examines a glass disc recording that was made in Alexander Graham Bell’s Volta Lab. The disc contains the audio of a male voice repeating “Mary had a little lamb” twice.

In December, scholars recovered sound from this and other recordings made over 100 years ago. Until now, the technology to listen to the recordings without damaging the objects was not available. Learn more about how they recovered the audio.

Photo by Rich Strauss, Smithsonian Institution

National Film Registry Picks for 2011

On December 28, 2011, the Librarian of Congress announced the 2011 additions to the National Film Registry. 

Under the National Film Preservation Act, the Librarian of Congress names 25 films to the National Film Registry every year. In order for a film to be eligible, it must be at least 10 years old and be culturally, historically, or aesthetically significant.

Films selected for the 2011 National Film Registry include:

  • Allures (1961)
  • Bambi (1942)
  • The Big Heat (1953)
  • A Computer Animated Hand (1972)
  • Crisis: Behind A Presidential Commitment (1963)
  • The Cry of the Children (1912)
  • A Cure for Pokeritis (1912)
  • El Mariachi (1992)
  • Faces (1968)
  • Fake Fruit Factory (1986)
  • Forrest Gump (1994)
  • Growing Up Female (1971)
  • Hester Street (1975)
  • I, an Actress (1977)
  • The Iron Horse (1924)
  • The Kid (1921)
  • The Lost Weekend (1945)
  • The Negro Soldier (1944)
  • Nicholas Brothers Family Home Movies (1930s-40s)
  • Norma Rae (1979)
  • Porgy and Bess (1959)
  • The Silence of the Lambs (1991)
  • Stand and Deliver (1988)
  • Twentieth Century (1934)
  • War of the Worlds (1953)

Learn more about the National Film Registry and the 2011 selections.

Image description: Seventy-five percent of the world’s coral reefs are currently threatened by local and global pressures, according to a 2011 analysis. The most immediate and direct threats arise from local sources, which currently threaten more than 60% of coral reefs. Local threats include impacts from fishing, coastal development, and pollution. Left unchecked, the percent of threatened reefs will increase to more than 90% by 2030 and to nearly all reefs by 2050.
Photo by the National Oceanic and Atmospheric Administration’s National Ocean Service

Image description: Seventy-five percent of the world’s coral reefs are currently threatened by local and global pressures, according to a 2011 analysis. The most immediate and direct threats arise from local sources, which currently threaten more than 60% of coral reefs. Local threats include impacts from fishing, coastal development, and pollution. Left unchecked, the percent of threatened reefs will increase to more than 90% by 2030 and to nearly all reefs by 2050.

Photo by the National Oceanic and Atmospheric Administration’s National Ocean Service