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From the American Art Museum:

Look again at this coat, but don’t try to wear it: it was sculpted from wood by California artist Rene Megroz.
Rene Megroz, Trench Coat, 1997, sugar pine, brass, ink, overall: 49 3/4 x 15 x 6 in. (126.4 x 38.1 x 15.2 cm) Smithsonian American Art Museum, Gift of the artist.

Image description:

From the American Art Museum:

Look again at this coat, but don’t try to wear it: it was sculpted from wood by California artist Rene Megroz.

Rene Megroz, Trench Coat, 1997, sugar pine, brass, ink, overall: 49 3/4 x 15 x 6 in. (126.4 x 38.1 x 15.2 cm) Smithsonian American Art Museum, Gift of the artist.

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From Smithsonian Magazine:

X-Ray Art: A Deeper Look at Everyday Objects

by Megan Gambino

Images by Hugh Turvey, Artist in Residence, The British Institute of Radiology

Hugh Turvey calls one of his earliest images Femme Fatale. Using an x-ray, he scanned his wife’s foot in a dangerously high stiletto.

“I think we all understand that your foot is going through quite a lot when it is in a stiletto, but to actually physically see it and to see the angle of the bones,” says the British artist. He completes his thought, I imagine, with a shiver. “Not only do you have this distorted foot, but you have these small nails that were in the actual construction of the shoe. It just looked like a torture device.”

See more of Turvey’s images and read more about his work at Smithsonian.com.

Image description: The iconic “Court of Neptune Fountain” in front of the Library of Congress’ Jefferson building. The fountain, sculpted by Roland Hinton Perry, shows Neptune, his son Triton, and various sea nymphs.
Photo from the Architect of the Capitol

Image description: The iconic “Court of Neptune Fountain” in front of the Library of Congress’ Jefferson building. The fountain, sculpted by Roland Hinton Perry, shows Neptune, his son Triton, and various sea nymphs.

Photo from the Architect of the Capitol

Image description: In celebration of the 25th anniversary of the Arthur M. Sackler Gallery, one of the Smithsonian’s museums of Asian art, Chinese artist Cai Guo-Qiang will stage an “explosion event” on November 30 at 3 p.m. EST. 
If you’re in Washington, D.C., you can watch the event live from the Arthur M. Sackler Gallery on the National Mall. It will also be broadcast live online for everyone to watch.
The event combines pyrotechnics, artistry, and optical illusion in four dimensions.
This image is a sketch for the event. The Gallery describes it as

A live 40-foot-tall pine tree will erupt in an effervescent shimmer of fireworks as if in a tree-lighting ceremony, followed by a cascade of black ink-like smoke that mimics the flowing beauty of traditional Chinese brush drawings. The tree-shaped cloud of smoke drifting through the air will create a spectral scene of two trees, one real and one ethereal.

The site-specific staging is part of Cai’s larger series of “explosion events,” which have been featured at the Museum of Contemporary Art, Los Angeles; the John F. Kennedy Center for the Performing Arts, Washington, DC; Central Park in New York City curated by Creative Time; and numerous international institutions.

Image description: In celebration of the 25th anniversary of the Arthur M. Sackler Gallery, one of the Smithsonian’s museums of Asian art, Chinese artist Cai Guo-Qiang will stage an “explosion event” on November 30 at 3 p.m. EST. 

If you’re in Washington, D.C., you can watch the event live from the Arthur M. Sackler Gallery on the National Mall. It will also be broadcast live online for everyone to watch.

The event combines pyrotechnics, artistry, and optical illusion in four dimensions.

This image is a sketch for the event. The Gallery describes it as

A live 40-foot-tall pine tree will erupt in an effervescent shimmer of fireworks as if in a tree-lighting ceremony, followed by a cascade of black ink-like smoke that mimics the flowing beauty of traditional Chinese brush drawings. The tree-shaped cloud of smoke drifting through the air will create a spectral scene of two trees, one real and one ethereal.

The site-specific staging is part of Cai’s larger series of “explosion events,” which have been featured at the Museum of Contemporary Art, Los Angeles; the John F. Kennedy Center for the Performing Arts, Washington, DC; Central Park in New York City curated by Creative Time; and numerous international institutions.

Image description: This relief is carved out of nine pounds of butter. Caroline Shawk Brooks created it in 1876 and it was displayed at the Centennial Exposition in Philadelphia, Pennsylvania. Learn more about this and other historic butter sculptures.
Photo from the Library of Congress Prints and Photographs Division

Image description: This relief is carved out of nine pounds of butter. Caroline Shawk Brooks created it in 1876 and it was displayed at the Centennial Exposition in Philadelphia, Pennsylvania. Learn more about this and other historic butter sculptures.

Photo from the Library of Congress Prints and Photographs Division